You may find yourself
living in a shotgun shack. You may find yourself in another part of the world…
You may ask yourself, well, how did I get here?
I remember waiting with huge anticipation for Remain In Light to be released in 1980.
I was already a huge Talking Heads fan and couldn’t wait to get my hands on the
new album as soon as it came out. I wasn’t sure what to make of it in the
beginning. African beats and at times a crooning and laid back hypnotic vocal.
The whole album had a different feel to previous Talking Heads albums, but it
grew and grew on me to become one of my favourite albums of all time. The
single, Once In A Lifetime, had a different feel again from the rest of the
album. I liked it too with its more characteristic David Byrne manic manneristic
way of singing. But for the life of me, I never knew what a shotgun shack was. Or
how somebody would ever find themselves living in one? It was only on coming to
New Orleans that I discovered the answer.
I’ve had enough of hotels as a mode of accommodation. They
have their place and I’m sure I’ll be staying in them again, but on this trip
to the US I decided to give AirBnB a go. This web-based portal allows people to
rent out a room in their house, or in some cases the whole house. I was coming
to New Orleans on my own and I couldn’t be bothered with all of the run of the
mill tourist stuff that seems to come with being in a hotel. I hoped that
AirBnB could scoot me straight past that to a place where I would get to meet
and hang out with a few of the locals. So I scoured the site for a place that
looked appealing. “Shotgun house in the heart of the Marigny” shouted one
listing. A read of Katie’s profile sounded like I may have the right place.
Guests were not only able to come and share a meal or go out with the hosts,
but were actively encouraged. That sounded like something that I was after. But
what the hell is a shotgun house. As it turns out, it is a distinctive
architectural style particular to New Orleans. Essentially it is a house where
each room connects directly through to the next room without a hallway. From
the front door, all the way through to the back garden, you have to walk through
each room to get to where you’re going. Or as Katie described it in her
listing: The house is a
classic shotgun, a very common style of architecture for homes here in New
Orleans. Each room is arranged one behind the other. You will be walking
through all of our bedrooms to get to your room, and while you'll have your
room to yourself, people will need to walk through it to access the kitchen,
other bedrooms, backyard, and bathroom.
It seemed like it may be an interesting way to spend a week.
I mean, if people were going to be walking through my bedroom to get to the bathroom
or other parts of the house, I was pretty much guaranteed that I was going to
be meeting people. I wouldn’t even have to get out of bed to do it!
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| Katie & Matthijs |
Katy was actually away when I arrived at the house. She was
off having her own adventures with her Dutch boyfriend Matthijs, hitchhiking
across Europe and then visiting her folks in the north of the US. When I
arrived nobody was home. With some relief, I found the key in the mailbox and
let myself in. At that stage I’d been travelling for around 24 hours, so was
thankful that I didn’t have to deal with the drama of not being able to get inside.
The fact that the house was empty meant that I also had an opportunity to
explore the place and try to work out what I was in for. The front room was
quite sparsely furnished. Being the entranceway to the house, this was clearly
a major thoroughfare. There was a wooden construction that appeared like some
kind of an installed loft. I climbed up the ladder to have a look and saw a
double mattress up there. OK. Somebody sleeps here. There didn’t look like
there was much more room above the bed than to sit and I wondered if there was
even room for that. The extremely wide door from that room led into my room.
Very nice comfortable queen size bed, bedside table, chest and mirror, with all
of the furniture against the walls leaving a thoroughfare. I was starting to
spot a bit of a theme. The doors that led from one room to the next were very
wide. With the doors to my room open, it looked like it melded in to the next
part of the house. God! How was this going to be? Immediately through the door
from my room, was a door to the left (the only slight detour available in the
house), which led to the small but tidy bathroom. Going straight led to another
bedroom which had a few personal items scattered around. Ah… another guest. Or
perhaps the person who was looking after the house while Katie was gone. And it
continued on. Each room one after the other – tiny lounge area, with another
loft built above with more sleeping quarters, and then the kitchen, which was
actually quite spacious and bright. The entire house was decorated with all
manner of interesting bits and pieces. I checked out the bed and basically
vagued around in a jetlagged kind of a state until the front door opened and in
rushed Ryan. She was the occupant of the next room. So basically it turned out
that just the two of us were living in the house. I was somewhat happy to have
the house essentially to ourselves for a little while, but was sort of sad that
Katie wasn’t going to be around. My aim of hanging in a local house seemed
somewhat awry if the locals weren’t actually there. I was therefore happy to
discover that Katie was indeed coming home on day three of my stay. And by that
stage, I was well settled in. Ryan had gone, so I’d had the house to myself for
the morning. It was only after being out on the town and after a night of beer
and wine with my new French friends Emilie and Fred, that I arrived back at Katie’s
house, now with both Katie and Mattiis back in residence. I was pretty
exhausted from a combination of jetlag, nights until 4am and a fair whack of
alcohol over the previous days, so intended to try and sleep early. That plan
was thwarted quite early when Amy rocked in. She was the next visitor coming to
stay in Ryan’s room. She was down for a work trip that she’d somehow cajoled
out of her company and arrived resplendent with a bubbly demeanour, fine
cheese, beer and wine. There goes the sleep. And so, on joining them groggily,
I realised that I was once more living in a share house that this time just
happened to be a shotgun shack in New Orleans. And all of the usual
conviviality that seemed to take place in every share house I was ever a part
of also unfolded here in New Orleans. The next night I brought Emilie and Fred back
to Katie’s place so that I could share with them some of the household’s conviviality
on their last night in town. A bit of a farewell party. Sitting out in Katie’s
back garden took me back to nights at Castle Rock, a hub of activity in one
particular share house that I once inhabited along with its regular stream of
visitors. Only this time there was the added dimension of different languages
to coordinate. Both Emilie and Fred spoke English well enough. At least with
me. If they got lost for words, my French was capable enough to be able to help
them find the elusive word on most occasions. But under the haze of the
backyard, communication at times became humorously problematic. But maybe that
had nothing to do with language. We were a mixed assortment of ages as well as
languages, as we all found out. Katie is a 28-year-old American artist,
initially from New Jersey, who moved down here some time back. Matt is an
18-year-old Dutch musician. He is the youngest of the crew but he certainly has
an impressive story. He left home at 17 from his family farm out in the sticks
in the north of the Netherlands, hitched down through Europe for a few months
and then flew to America; New York initially and then down to New Orleans.
Quite an amazing journey for someone so young. He met Katie initially as an
AirBnB guest. Perhaps walking through each other’s bedrooms continually helped
kindle a flame. Both Katie and Matt have been exceptional hosts as well as
great people to hang out with. Emilie is a 32-year-old singer and Fred is a 37
year old chef. They are over here from France for a ten day holiday. I met them
on my first night in town and had spent every night with them since. Beautiful
people. I definitely brought in the rear at the ripe old age of 50. And while
sitting with this crew out the back there in Katie’s shotgun shack, I realised that
when Remain In Light was released, Fred was 4 and apart from me, nobody else
there had been born.
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| Emilie, Fred et moi |
When I’d bid a fond adieu to Emilie and Fred, I decided it
was time to crash out. Just me and the thoughts racing around my head at a
million miles an hour. And of course whoever needed to walk through my room.
There were only three other people in the house, but there must have been at
least twenty trips back and forth through my room, clomp clomp clomping across
the loud wooden floorboards. But I’ve felt comfortable in my bed and I’m not
really bothered by the nocturnal passers by. I still have a couple of days to
go in New Orleans and I already know that I will be sad to leave. I live in a
house back home that I share with four other very interesting and special
people, but it’s been great to revisit the share house ethos that was more
familiar in earlier days while being able to once more resume a more carefree
existence. I don’t have to get out of bed here at any particular time and today
(my fourth day) is the first time that I’ve managed to have breakfast prior to
midday. The AirBnB thing has definitely worked for me in spades in New Orleans.
It is what I hoped for and also what I needed. A reminder of a more simple
life. A reminder of what I like to do and what interests me most. I love travelling.
Having new experiences. Meeting new people from somewhere else with a story to
tell. I love people’s stories. Being transplanted into somebody else’s
household and into the middle of their story makes AirBnB the perfect form of
accommodation for me. It will now be my first choice every time.
Letting the days go
by. Letting the days go by. Once in a lifetime.




